Thursday, 17 November 2011

understanding the textile world


Choose two internationally known textile artists whose work I find inspiring.


I have chosen Poppy Treffry. 








Poppy runs a small company based in Newlyn, a busy, messy, industrious fishing village in the far west of Cornwall. 
Poppy started small, back in 2004, selling to one or two galleries locally but four years on the team has grown from just Poppy and one cranky singer sewing machine to 7 people and 13 cranky singer sewing machines! The products are all still made in Cornwall and inspired by beautiful surroundings and they plan to keep it that way. 



Meet the Maker

Meet Cornwall based textile designer Poppy Treffry, creator of charming tea cosies and other embroidered delights.

With their whimsical motifs and gentle words inspired by her coastal surroundings, Poppy’s designs are all lovingly created by hand so each one is truly unique. We caught up with Poppy and her talented team in their harbour-side studio.
Q.Tell us a bit about yourself and what inspired you to start the business...
A.
I did a textile design degree at Winchester and then volunteered with a craft co-operative in Guatemala, helping women to develop their business skills and supporting them in setting up a local craft shop. I’d only intended to stay a year but I got so involved in the project that I ended up staying for three. On my return to Cornwall in 2003 I began making bags for a local shop, having taught myself freehand machine embroidery on an old Singer sewing machine that my granddad found on a dump! A business advisor from Creative Kernow (who are no longer around) saw the bags and helped me to find a workshop and set up my own studio. At first I had a part time job as well, but after 18 months I took the plunge to go full time and we’ve now been trading for about five years.
Q.Where is your business located?
A.
The studio is in Newlyn, near Penzance in the far west of Cornwall. It’s a busy, working fishing village and we can see the fishing boats bobbing around in the harbour from the window of the studio. I’m constantly inspired by the local surroundings and this feeds into my work.
Q.Do you use any specialist techniques or equipment to produce your goods?
A.
We use freehand machine embroidery to create the designs and it’s all done on 1930s Singer sewing machines. I’ve never found a modern machine that can take seven hours of embroidery! We use a mix of vintage and modern fabrics – the art is in picking the colours and weights of fabric.
Q.What are the most popular products in your range?
A.
The best selling products are the tea and coffee cosies and the most popular design is ‘Tea by the Sea’ which is one of our original designs. We’ve also recently launched a range of ceramic mugs and teapots which are made in Stoke-on-Trent and have proved very popular.
Q.What’s the best thing about what you do?
A.
Having a licence to buy as much fabric as I want! No seriously, I enjoy being my own boss and the flexibility it gives me, especially as I now have a baby daughter, Biba.
Q.Why do you choose to make your products in Britain?
A.
It’s great to be able to create textile jobs in Cornwall and I also like being hands on and having control over how the products are produced. As everything is designed and made here in the studio, we can tweak designs and try out new ideas as we go along.
Q.What’s been your proudest moment?
A.
Being featured in The Guardian's eco gift guide - as this is the paper my dad reads and meant he finally accepted that making tea cosies was not such a bad career choice for his daughter (he really wanted me to be an architect!).
Q.Where do you sell your products?
A.
We sell online through our own website www.poppytreffry.co.uk and through the online marketplace www.notonthehighstreet.com, who we’ve been with since they started. A large part of our business is wholesale and we supply shops all over the UK and further afield.
Q.Which other British producers inspire you and why?
A.
I love The Black Rabbit which is run by my best friend Lindsay Marsden. I also loveTeresa Green’s screen-printed linens, Anorak’s outdoor products which are perfect for camping, Hope & Benson for their beautiful handmade handbags, and of course my partner Justin Duance who creates his wonderful handcrafted jewellery in the studio next to ours.
Q.Do you make an effort to buy British when food shopping?
A.
Yes, being located where we are there’s a constant supply of freshly caught fish. The restaurants around here also make the most of local produce – we like The Bakehouse in Penzance. We’re also big fans of the Lafafa falafel wagon which tours events in the South West, such as the Newlyn Fish Festival.
Q.Where is your favourite place to holiday in Britain?
A.
For a short break we like to visit Porthcothan in North Cornwall between Padstow and Newquay. We stay in a lovely cabin right on the beach called The Red Buoy. We also love St Agnes in the Isles of Scilly where we camp every year at Troy Town Farm which is the most south-westerly campsite in Britain. There’s a great place to eat on St Agnes calledHigh Tide which is a beach cafe during the day and a seafood restaurant in the evening, serving local produce such as freshly caught crab.
Q.And finally, what do you do to relax and unwind when you’re not busy working?
A.
 A walk on the cliffs is always a good way to unwind. I also walk to and from work – it’s about a 20 minute walk along the seafront from our home in Penzance to the studio in Newlyn, which makes the perfect start, and end, to my day.

Buy Poppy's New Book!
Feeling inspired? Why not buy Poppy’s new book: Free and Easy Stitch Style
This treasure trove of projects includes home accents such as cushions and curtains, and accessories such as handbags and purses to show off your sewing in style. Step-by-step instructions, illustrations and photographs combined with a fresh and funky design mean that 'Free & Easy Stitch Style' is bursting with needlecrafting personality and creativity!

(Photo of Poppy Treffry: Mike Thomas)
Taken from here.
I am impressed with the way that Poppy encourages her followers to plunge into the craft of freestyle machine embroidery and her book is a very helpful tool. I also like the fact that she is now selling the kits to make your own.











A young and fun approach to freestyle machine embroidery, encouraging the reader to break the rules with a sewing style that's all about rough edges, uneven stitching and mismatched fabrics! --Sew Today Magazine

"This is the perfect title for those who believe that sewing should be a fun and relaxing hobby and not an endurance test" --Sewing World


"This is the perfect title for those who believe that sewing should be a fun and relaxing hobby and not an endurance test!" "Poppy's designs are fresh and contemporary and her relaxed style puts them within the grasp of stitchers of all levels of expertise." --Sewing World

Product Description

Expand your sewing creativity with freestyle machine embroidery as you've never seen it before! Talented textile designer Poppy Treffry takes you into her studio and demonstrates how to create quirky, fun and memorable pictures and motifs. Layering, fraying and applique all add to the free and easy effect, while techniques such as freestyle shading and texturing create pictures with charm and attitude. The treasure trove of projects include home accents such as cushions and curtains and personal accessories such as handbags and purses to show off your sewing in style. Step-by-step instructions, illustrations and photographs combined with a fresh and funky design mean that "Free & Easy Stitch Style" is bursting with needlecrafting personality and creativity.

Taken from here.

I am a designer living and working in Cornwall. Me and my team use ancient singer sewing machines to stitch my lovely collections of accessories for fashion and the home.
Bridging the gap between fashion and craft my pieces are contemporary and individual and perfect if you are looking for something unique.
I sketch almost every day and subjects can be everything from the rooftops of St. Ives to knives, forks and tractors! Through stitch my drawings are transformed.
Having grown up in North Cornwall on the fringes of Bodmin Moor I studied at Falmouth Art College and then Winchester School of Art. From here I spent several years in Central America. living and working with women’s cooperatives. I returned to Cornwall in 2003 to set up my business and now live in Penzance.
Every piece I create is unique and individual. I search high and low to discover the most beautiful fabrics. I hope you enjoy using them as much as I enjoy making them.
In 2010 I opened my first shop in St Ives, Cornwall so if your visiting the county do come and visit.

My work is about transferring my drawings into stitch. I sketch almost every day and subjects can be everything from the roof tops of St. Ives to Andalusian chickens. Through stitch my drawings are transformed, they take on a looser more childlike quality and colours become patterned and textured fabrics. I work in both two and three dimensions making framed embroideries and textile 'pots'.
There is also a very practical aspect to my work which means my drawings may also become bags, cushion covers or tea-cosies.

Taken from here.



I've got this one!!!



Thursday, 23 June 2011

Making your Textile Piece

What have you Achieved?

I am writing this before I have actually finished my textile piece but I feel that I have produced the main structure of the piece and I aim to finish it all at my own pace throughout the year.

As I have put together all my work so far I can see a definite continuous theme in my work as I have seen before. at the start I made a note of all the different techniques I like to work on and I came up with everything that involves embroidery and applique so I knew the direction I would be going in.

When I look at my original drawings and samples I can see how I have developed these into my final piece. I have used the flowing, almost sea movement shapes along with French knots and they I have incorporated the image within another a shape from earlier work that I have done.

As I look back I do like another concept of design that I have created that I would like to work on in the future and I can see the final piece already in my mind but I feel that I need to learn how to manipulate the fabric more and learn how to quilt so this could be something to definitely work on in the future when I have developed more techniques.

I have been able to interpret my ideas reasonable well with a few re-makes at the beginning. I have to confess that my work has changed slightly from my original drawing. I have Incorporated coloured buttons which was not there in my original design but having looked as work from Henri Matisse and admiring his work with colour I was inspired to incorporate more colour from his work into my finished piece.

I am enjoying making the piece so far, I just love 'drawing' with stitch and look forward to working in this medium in the future. I like what I have produced so far, as to whether it will end up on my sofa when it is finished, the jury is still out, we will have to see wont we!

Monday, 22 November 2010

STAGE 4 - Raised and Structured Surface Textures


What have you Achieved?

I prefer working with stitch on fabric than manipulating the fabric into different shapes. I enjoy seeing the contrast of colours made by stitches rather than making a shape but I am looking forward to working on the next stage and to try to incorporate different colours and shapes into one piece of work.

The final results were very different to the drawings but i find it interesting how you can develop one idea to another without actually noticing. The fabric manipulation totally took over and dictated the final result.

I would have prefered to play directly with cut shapes and material in different colours like I said before.

I would like to pursue working with stich in more depth - I do not find it limiting at all.

I prefer to make texture by sewing things on to fabric like beads, trimmings, etc. which I want to explore now!

Wednesday, 6 October 2010

STAGE 3 - APPLIED FABRICS

Hand Applique


Hints and tips




  • Use herringbone stitch or buttonhole stitch


  • Pin and/or tack fabric onto a background fabric and work stitches over the cut edges. fabric which fray easily use closer stitches or turn the edges under. Fabric which doesn't fray can be applied with small running stitch worked vertically or slip stitch



  • Other suitable stitches would be chain stitch, blanket stitch, crossed stitches, feather stitches and couched lines




I decided that my first applique work would be stitched by hand. I have taken this idea from a sketch I did in the last assignment and moderated it quite a lot!




So, here are the stages I went through




I decided to have the frayed edges because I like this effect on other artists work but now that it is finished I think I would have prefered it turned under in places and done more neatly - next time??......
When I had finished the sewing I decided to add buttons - which I seem to always do - and a few beads and overall I am happy with the finished piece and I could see it as a cushion cover or a wall hanging.




Project 4 Stage 4 Developing Design Ideas

What have I achieved?

I must say that I have not enjoyed doing this Project as much as I thought I would - I am chomping at the bit to get stuck in to weaving and using yarn and doing more sewing so I have really struggled to get motivated.

One of the projects I struggled with was the colour perception in Stage 2. For some reason I couldnt see the differences of colour with the complementary colours. Having said that, I have used complementary in the latest project and it has stood out to me very well the tricks your eyes play with different colours but when I was looking at the squares it didn't work for me - perhaps that is why I like working with colours of the same hue or different shades of the same colour.

I am very pleased with the drawings I did in Stage 3. I enjoyed colour matching a piece of fabric and matching the colours on the photo I have of the cotton reels. I particularly enjoyed drawing the pebbles in a jar. This seemed to come along so naturally and I have also enjoyed developing this drawing and changing the colour to black and white and then complimentary colours. I could use the drawings to develop further and I can envisage them alread being turned into fabric pieces. I also can't wait to further develop the mosaic structure that I made taking inspiration from a photograph of poppies. I can also see that being developed into a stitiched piece.

I am confident with my working method but I have to hold myself back and take it slow instead of just working on the first thing that comes into my head without taking more time on it.

Tuesday, 31 August 2010

Creating Shapes and Three-dimensional Forms with Fabric #2

Understanding the Textile World

Things I need to do:-

  • Collect a collection of examples of  furnishing or fashion fabrics in the following form:

  • actual fabric pieces  tweed, silk, pile, felt, voile, muslin, glittering - visit furnishing and fabric shops - get small samples - need to get spec of fibre content and origin of fabric

  • photocopies from books - see recommended books

'A Woman's Work is Never Done' T-shirt (one-off)
Machine-embroidered organza with metallic thread
Carolyn Corben
UK, 1990



Horse head dress from Sind, Pakistan (Moira Broadbent)
Horse chest band from Sind, Pakistan (Moira Broadbent)


Photo micrographs of typical geosynthetic fabric structures.





Quilts exhibited in the V & A Quilts exhibition Summer 2010


 



  • photographs
  • magazine cuttings - Interiors, Elle Decoration, Vogue


    New Fabric! P+B Textiles - Wild Thyme
    Carolyn Gavin's Wild Thyme is a lively contemporary eco collection, with stylized birds, dots, pods and stars within the main print, which are echoed throughout the collection. Colors are fresh and modern, but not overly bright. This collection is great for quilts, home decor, children's clothing and just about anything else you can imagine.  
    New Fabric! Liberty of London - Lantana
    Just in from Liberty of London is Lantana, a collection of high quality cotton and wool prints just right for garment sewing. As is the usual with Liberty, the prints are eclectic and modern, with a range of moods from bright modern florals to cosmopolitan navies, blacks, and greys. The Purl Bee
Tweed


New Fabric! Echino Ni-Co Oilcloth



From the ever-popular Echino series, Ni-Co is now available in sturdy, spill-proof, weather-proof oilcloth! Etsuko Furuya designed this contemporary print that gathers disparate objects and tidily places them on a backdrop of natural color. Stamped with dots and stripes, Ni-Co is brimming with youthful energy!










    My sketch book
  • visit Nostell Priory - are the furnishings original or reproduction? - if reproduction where and by whom were they made?

Thursday, 26 August 2010